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British artist and sculptor Piers Secunda has been making drawings using rust ink, paying particular attention to surroundings nearby Osama bin Laden’s compound in the vicinity of Abbottabad, Pakistan.
Film Review: Hogir Hirori's latest documentary, Sabaya, uncovers the horrors the Yazidi community experienced at the hands of ISIS in Syria's Al-Hawl camp. Yet, even in their darkest moment, Hirori shows there is light at the end of the tunnel.
![The gold death mask of Egyptian pharaoh Tutankhamun at the British Museum in London, the highlight of the Treasures of Tutankhamun exhibition, UK [Getty Images]](/sites/default/files/styles/large_16_9/public/2021-08/GettyImages-1300036553.jpg?h=21017897&itok=Wrgk6x_c)
Countries colonised by Britain have long expressed anger over their archaeological plundering, now housed in British museums. With woke culture shedding fresh light on Britain's exploits, museums have been compelled to respond.
With the narrative having been focused on stereotypical portrayals of people from the region as 'terrorists' or 'illegal immigrants', MENA Arts believes it's time for a shift for appropriate representation.
![Ashour Shamis spent over 40 years in exile from Libya [Tuba Films]](/sites/default/files/styles/large_16_9/public/2021-07/thumbnail_Multiple%20Passports.jpg?h=c673cd1c&itok=7m5ErbHR)
Film Review: Libya's revolutions told through familial eyes, the protagonist quickly learns of his exiled father's role as a freedom fighter or 'stray dog' in deposing Gaddafi, and opens up a labyrinth of revolutionary pasts, and futures.
UK's largest festival of contemporary Arab culture is back after two years to once again connect communities with the best of contemporary Arab visual arts, film, music, theatre, dance, literature and debate.