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The Muslim International Film Festival wrapped up this June, with 'Inshallah A Boy' named Best Film for its powerful portrayal of Muslim societal issues.
A new ITV horror comedy Count Abdulla brings Muslim representation to a subgenre lacking in diversity.
Jude Chehab's debut film deep dives into the hidden mysteries of the Al-Qubaysiat, the secretive Muslim women's organisation. Premiered at Tribeca Film Festival, the documentary reveals how her mother and grandmother became entangled with the group.
![Amina [Film Review]](/sites/default/files/styles/large_16_9/public/2021-12/Amina-3.jpg?h=d1cb525d&itok=GaERiT1t)
Film Review: Amina is a historical blockbuster that situates the viewer within the royal fortunes of the Kingdom of Zazzau. Unique in having an African, Muslim heroine as its protagonist, the film has nonetheless garnered mixed reviews.
!["We Are Lady Parts", the anarchic comedy about a Muslim Punk Band that has viewers in stiches [Channel 4]](/sites/default/files/styles/large_16_9/public/2021-05/3992ca49-7c40-4d15-a6f3-8f9eaaadd56e.jpg?h=d1cb525d&itok=VdlwNWIv)
TV Review: A hilariously goofy insight into contemporary British-Muslim identity, We Are Lady Parts follows the lives of Saira, Bisma, Ayesha and Momtaz's foray into Punk. Wonderfully subversive, the sitcom has received widespread acclaim.
Noticing a lack of Muslim figures and representation in the South African visual arts circuit, curator Sara Bint Moneer Khan launched the Mashūrah exhibition as an opportunity for solidarity and to showcase Muslim artists and voices in the country.
Burcu Ozcelik uncovers the creative practices of reBirth, a visual arts project in Erbil that unapologetically showcases womanhood and femininity in Iraqi Kurdistan.
History tells us that Bisan Owda’s win last night couldn’t be possible but what happened at the 45th annual News & Documentary Emmys shows tides are changing
Rummana Hussain's conceptual artistic imprint on the state of India is relevant now more than ever. Dealing in the currency of feminist expression, postcolonial thought and perennial ideas, Rummana's India is both doubly colourful and doubly dark.
Uyghur folklore reveres women as beacons of resistance against oppressors. As China continues its genocide, Uyghur women are ensuring to keep this trait alive.