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°®Âþµº Meets: Iraqi-Indian poet Amani Saeed whose poetry celebrates Muslim womanhood and intersection of faith and feminine power, while confronting the fallback caused by patriarchy and the West.
The Muslim International Film Festival wrapped up this June, with 'Inshallah A Boy' named Best Film for its powerful portrayal of Muslim societal issues.
A new ITV horror comedy Count Abdulla brings Muslim representation to a subgenre lacking in diversity.
Jude Chehab's debut film deep dives into the hidden mysteries of the Al-Qubaysiat, the secretive Muslim women's organisation. Premiered at Tribeca Film Festival, the documentary reveals how her mother and grandmother became entangled with the group.
![Amina [Film Review]](/sites/default/files/styles/large_16_9/public/2021-12/Amina-3.jpg?h=d1cb525d&itok=GaERiT1t)
Film Review: Amina is a historical blockbuster that situates the viewer within the royal fortunes of the Kingdom of Zazzau. Unique in having an African, Muslim heroine as its protagonist, the film has nonetheless garnered mixed reviews.
!["We Are Lady Parts", the anarchic comedy about a Muslim Punk Band that has viewers in stiches [Channel 4]](/sites/default/files/styles/large_16_9/public/2021-05/3992ca49-7c40-4d15-a6f3-8f9eaaadd56e.jpg?h=d1cb525d&itok=VdlwNWIv)
TV Review: A hilariously goofy insight into contemporary British-Muslim identity, We Are Lady Parts follows the lives of Saira, Bisma, Ayesha and Momtaz's foray into Punk. Wonderfully subversive, the sitcom has received widespread acclaim.
Noticing a lack of Muslim figures and representation in the South African visual arts circuit, curator Sara Bint Moneer Khan launched the Mashūrah exhibition as an opportunity for solidarity and to showcase Muslim artists and voices in the country.
°®Âþµº Meets: Palestinian director Laila Abbas to discuss her film on patriarchy, Islamic inheritance laws and why gender issues shouldn't be dismissed
°®Âþµº Meets: Tawseef Khan, author of The Muslim Problem. In it, he elegantly deconstructs myths surrounding Islam, whilst confronting the issue of Islamophobia within Western societies.
Burcu Ozcelik uncovers the creative practices of reBirth, a visual arts project in Erbil that unapologetically showcases womanhood and femininity in Iraqi Kurdistan.