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Imane Khelif's medal is more than a personal victory; it's a statement against racism and sexism, inspiring women of colour worldwide, says Tharwa Boulifi.
The Muslim International Film Festival wrapped up this June, with 'Inshallah A Boy' named Best Film for its powerful portrayal of Muslim societal issues.
A new ITV horror comedy Count Abdulla brings Muslim representation to a subgenre lacking in diversity.
Jude Chehab's debut film deep dives into the hidden mysteries of the Al-Qubaysiat, the secretive Muslim women's organisation. Premiered at Tribeca Film Festival, the documentary reveals how her mother and grandmother became entangled with the group.
As the humanitarian crisis in Sudan intensifies, sexual violence is used to terrorise women & girls, international solidarity is needed, writes Nina Masore.
Film Review: Amina is a historical blockbuster that situates the viewer within the royal fortunes of the Kingdom of Zazzau. Unique in having an African, Muslim heroine as its protagonist, the film has nonetheless garnered mixed reviews.
TV Review: A hilariously goofy insight into contemporary British-Muslim identity, We Are Lady Parts follows the lives of Saira, Bisma, Ayesha and Momtaz's foray into Punk. Wonderfully subversive, the sitcom has received widespread acclaim.
Noticing a lack of Muslim figures and representation in the South African visual arts circuit, curator Sara Bint Moneer Khan launched the Mashūrah exhibition as an opportunity for solidarity and to showcase Muslim artists and voices in the country.
Burcu Ozcelik uncovers the creative practices of reBirth, a visual arts project in Erbil that unapologetically showcases womanhood and femininity in Iraqi Kurdistan.
From Beirut to Cairo, Rabat to Sanaa, Arabs have many lessons to learn from the fallout of Hamas's 7 October attack a year later, argues Bahey eldin Hassan.