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For four years, I led a non-profit organisation that uses as a tool for social change. I genuinely believe in the of story and narrative as tools for social change and justice and Iā€™ve always been an advocate for the use of storytelling in advocating for the Palestinian struggle.

However, the types of Iā€™ve seen on Palestine in both mainstream and social media often leave me confused as to where I stand. I know from my time working in the storytelling space that feelings of fear, apathy, self-doubt, and isolation can inhibit people from taking action.

I also know that feelings of hope, anger, urgency, and rage can move people to action. In particular, rage is created from the tension between what the world is and what we believe it should (and could) be.

Rage can build courage to take action, but not on its own: it needs to be accompanied with hope; hope that another reality is possible. Itā€™s through this lens that I view content when it comes to Palestine.

"Rage can build courage to take action, but not on its own: it needs to be accompanied with hope; hope that another reality is possible"

Almost exactly a year ago, right at the beginning of the Unity Uprising, I took to Twitter to reflect on the footage that was emerging out of Palestine. I that:

ā€œGraphic exposure to settler colonial violence doesnā€™t do what you think it does. It desensitises us to the violence - to the images of Palestinian bodies being held at gun point, being violated at checkpoints, being abused in their houses and forced out of their homesā€¦ You shouldnā€™t have to post graphic content of settler colonial violence for people to become aware of whatā€™s happening in Palestine. Our trauma doesnā€™t exist for the education of othersā€¦ For us Palestinians, the imagery youā€™re reposting and retweeting is highly and deeply traumatising and near impossible for us to escapeā€.

At the time, a lot of people disagreed with me, and earlier this year I was reflecting on that tweet and thinking about whether I still agree with the sentiment myself.

The tweet was rooted in the concern that by sharing imagery of Palestinian suffering, death and destruction, we are reinforcing and normalising the notion that some bodies are of lower priority than others and are thus disposable, and that there is a legitimate power that comes with dictating who lives and who dies.

In-depth: How digital activism is putting the global spotlight on Palestine - writes

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I worried that by constantly sharing graphic content, the world would feel desensitised to violence being perpetrated against Palestinian bodies, and that Palestinian bodies would be objectified, our lives cheapened and our bodies habituated to pain and loss.

For those who disagreed with what I wrote, the main reason they cited is that we have a moral obligation to share and about whatā€™s happening in Palestine. Our struggle and our oppression rarely gets news coverage and the mainstream media have continuously tried to peddle biased and incomplete narratives that range from ā€˜itā€™s too complicatedā€™ at best to wilfully ignorant at worst.

On the rare occasion that the media does cover whatā€™s happening in Palestine, Palestinians are either painted as or as helpless victims of settler colonial violence. In truth, Palestinians are freedom fighters and agents of resistance with a right to defend themselves against the brutal occupation and settler colonial violence of a nuclear superpower.

So, in the era of social media, the responsibility lies on us to uncover the truth - unfiltered and uncensored.

And we have been uncovering the truth: for decades weā€™ve been exposing Israelā€™s apartheid, ethnic cleansing, , settler colonialism; for decades weā€™ve repeated intimate stories of how our parents and grandparents were violently dispossessed from their homes.

Iā€™ve retold my family's story so many times - to anyone who will listen - that sometimes even I feel desensitised to it. My Nakba story no longer feels like itā€™s mine anymore; even our trauma has been robbed from us.

For 74 years, we have been repeating, reliving and re-emphasising our . Weā€™ve been expected to gently persuade people of our basic humanity and play a game of respectability politics, otherwise running the risk of being perceived as savage, uncivilised, or unreasonable.

Weā€™ve spent 74 years trying to play the game while itā€™s been proven, time and time again, that the compassion and humanity of the international community is selective.

The most recent example of this is the global response to the crisis in Ukraine. Weā€™ve seen that the world is of compassion, of supporting peopleā€™s right to resist their oppressors by any means necessary, and of supporting boycotts, divestments and sanctions to hold war criminals to account.

"Through social media, weā€™re able to combine feelings of anger, rage, and hope to connect our past to our present and mobilise for the future"

Given this hypocrisy and global silence on Palestine, itā€™s very easy to feel fed up and infuriated. This extends to feelings of apathy towards engaging on social media - I often see videos, photographs, testimonies of whatā€™s happening in Palestine and think to myself: ā€˜Whatā€™s the point? Weā€™ve been sharing this content for years. The evidence is there, easy to find, for anyone who cares enough to look. Clearly no one does.ā€™

But with the benefit of hindsight, I do see the point of engaging because, through social media, weā€™re able to combine feelings of anger, rage, and hope to connect our past to our present and mobilise for the future.

Last , the power of social media was that it was accompanied by a strong, unified narrative that shed light on Palestinian history. The content shared across social media was paired with consistent messaging on the ongoing nature of the Nakba.

Palestinians around the world spoke of how the images, videos, and stories being shared reminded us of the stories our parents and grandparents told us of their oppression and dispossession. The stories weā€™ve been sharing for decades suddenly became immediately relevant in a contemporary context.

Social media also enabled young Palestinians to assume responsibility for our struggle. The Covid-19 pandemic and the tech-literacy of our generation meant that we saw organising meetings happening on Zoom and Club House. We saw WhatsApp and Signal groups with Palestinians from around the world.

We saw content being created and shared across borders. We used the present moment to organise around a vision for a future that we want to see and assumed our responsibility as active participants in creating it.

I donā€™t think I still agree with the Tweet I wrote 12 months ago; I am now convinced that we do need to keep sharing content on Palestine because our cause depends on it.

But our cause also depends on ensuring that the content weā€™re sharing is deliberate and purposeful; that videos and images of violence are paired with videos and images of resistance so that online narratives of anger, rage and hope can be transformed into meaningful action offline.

Jeanine HouraniĢżis a Palestinian organiser, writer, and researcher currently based in London.

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