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The Cannes Film Festival has once again provided a platform for diverse voices and captivating stories from the Middle East and North Africa (MENA) region. This year's edition showcased a remarkable selection of films that captured the imagination of audiences and critics alike. From historical dramas to poignant tales of love and identity, here is a roundup of the MENA films that left an indelible mark at the prestigious festival.

Firebrand (Algeria/Brazil)

All your burning questions about the real-life relationship depicted in Karim Aïnouz’s royal drama, ‘’, starring Alicia Vikander and Jude Law, answered.

— British Vogue (@BritishVogue)

Directed by Karim Ainouz, this mesmerizing historical drama delves into the captivating story of Catherine Parr, the sixth wife of King Henry VIII. The film boasts an exceptional cast, including Alicia Vikander and Jude Law, who bring the tale to life with their remarkable performances. Ainouz's masterful storytelling transports viewers to a bygone era, immersing them in a world of medieval intrigue and power.

Four Daughters (Tunisia)

Tunisian filmmaker recruits two actresses as stand-ins for two young women lost under very dramatic circumstances; the outcome is a hybrid documentary seamlessly blending family tragedy and politics

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— DMovies (@DMovies_org)

Director Kaouther Ben Hania presents a poignant narrative centred around a mother and her four daughters, two of whom find themselves entangled with Daesh/ISIS. With compelling performances, particularly by Hend Sabry, the film explores the complexities of family, resilience, and the impact of extremism on personal lives. Ben Hania's storytelling raises thought-provoking questions about love and the lure of radical ideology in a deeply confusing decade.

Goodbye Julia (Sudan) 

South Sudanese actress Siran Riak debuts on the silver screen at the Cannes Film Festival in the film 'Goodbye Julia'. The Sudanese production is the first to ever on the platform. (France, May 16th,)🎬 .
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— Pinterest_ssd (@pinterestssd)

Mohamed Kordofani's "Goodbye Julia" tells the heart-wrenching story of a young man who is compelled to leave his homeland after his father's tragic death. The film tackles themes of loss, displacement, and the resilience of the human spirit. Kordofani's sensitive direction and the protagonist's emotional journey create an intimate and unforgettable cinematic experience.

Les Meutes (Morocco) 

Dans “Les Meutes”, révélation marocaine d’Un certain regard, Kamal Lazraq filme avec justesse des hommes à la dérive, au-delà du cinéma social.

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— Télérama (@Telerama)

Directed by Kamal Lazraq, "Les Meutes," takes audiences into the gritty world of a gang war, seen through the eyes of a group of young men. The film explores themes of loyalty, identity, and the consequences of violence. Lazraq's raw and visceral storytelling captivates viewers, immersing them in a world fraught with tension and moral dilemmas.

The Mother of All Lies (Morocco) 

Today the premiere of Asmae El Moudir's moroccan documentary film The Mother of All Lies at Cannes festival (Certain Regard category) 🇲🇦

— Mouad⁷ 🇲🇦 (@BENSINA_Mouad)

Asmae El-Moudir's "The Mother of All Lies" is a gripping tale of a woman forced to confront her haunting past when her daughter mysteriously disappears. The film skillfully weaves together themes of guilt, redemption, and the complexities of motherhood. El-Moudir's nuanced direction and powerful performances create an emotionally charged narrative that resonates deeply.

Omar La Fraise (Lebanon) 

Présenté en , réunit Reda Kateb et Benoit Magimel dans un tandem de bandits contraints de vivre en cavale en Algérie. Ce premier film d'Elias Belkeddar est à découvrir aujourd'hui en salle !

— Festival de Cannes (@Festival_Cannes)

Director Elias Belkeddar presents a heartwarming coming-of-age story in "Omar La Fraise," where a young man dreams of becoming a pastry chef. Through delightful visuals and endearing characters, the film explores themes of ambition, tradition, and the pursuit of one's passions.