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In-depth: From London to Los Angeles and Toronto to Rome, the Iranian diaspora is aligning its voice with protesters on the ground.
The Muslim International Film Festival wrapped up this June, with 'Inshallah A Boy' named Best Film for its powerful portrayal of Muslim societal issues.
A new ITV horror comedy Count Abdulla brings Muslim representation to a subgenre lacking in diversity.
Jude Chehab's debut film deep dives into the hidden mysteries of the Al-Qubaysiat, the secretive Muslim women's organisation. Premiered at Tribeca Film Festival, the documentary reveals how her mother and grandmother became entangled with the group.
In a wide-ranging interview with °®Âþµº, Stein said if elected, her immediate priority would be a long-overdue “single call to end the war in Gaza"
![Amina [Film Review]](/sites/default/files/styles/large_16_9/public/2021-12/Amina-3.jpg?h=d1cb525d&itok=GaERiT1t)
Film Review: Amina is a historical blockbuster that situates the viewer within the royal fortunes of the Kingdom of Zazzau. Unique in having an African, Muslim heroine as its protagonist, the film has nonetheless garnered mixed reviews.
In-depth: With recent decrees forcing women to cover their faces and restrict their movement, the Taliban is attempting to erase women from public life, with consequences that could prove disastrous for the entire country.
In-depth: Female activists in the MENA have been some of the most affected by the use of Pegasus spyware, which threatens their personal and professional reputations. Now, they are demanding accountability.
!["We Are Lady Parts", the anarchic comedy about a Muslim Punk Band that has viewers in stiches [Channel 4]](/sites/default/files/styles/large_16_9/public/2021-05/3992ca49-7c40-4d15-a6f3-8f9eaaadd56e.jpg?h=d1cb525d&itok=VdlwNWIv)
TV Review: A hilariously goofy insight into contemporary British-Muslim identity, We Are Lady Parts follows the lives of Saira, Bisma, Ayesha and Momtaz's foray into Punk. Wonderfully subversive, the sitcom has received widespread acclaim.
Noticing a lack of Muslim figures and representation in the South African visual arts circuit, curator Sara Bint Moneer Khan launched the Mashūrah exhibition as an opportunity for solidarity and to showcase Muslim artists and voices in the country.