The absolute state of British journalism

The absolute state of British journalism
5 min read

Afroze Fatima Zaidi

24 August, 2022
States of Journalism: UK mainstream media outlets like the BBC and Guardian continue to be inaccessible to aspiring journalists, those who make it are usually privileged, right-leaning and reinforce views of the political elite, argues Afroze Zaidi.
Media outlets are gatekept by a columnist class of 'middle-class, public-schooled' Russell group alumni pushing an establishment agenda via client journalism, writes Afroze Zaidi. [GETTY]

Journalism in the UK is full of anomalies. The press is supposed to be free, balanced and impartial, but this emphasis on impartiality requires being neutral on everything, including glaring injustice. Itā€™s supposed to be a pillar of democracy, but the most prominent journalists act as little more than mouthpieces for those in power.

While the mainstream media has a prolific influence on the views of the masses, those who rise to prominence within it are hardly representative of the population at large. British journalism, particularly in mainstream outlets (BBC, Sky, Guardian, etc.) remains inaccessible for the vast majority of aspiring British journalists.

Rather these outlets are gatekept by a of ā€œmiddle-class, public-schooledā€ Russell group alumni pushing an establishment agenda via . They maintain an Overton Window of acceptable discourse that keeps shifting evermore to the right, so that increasingly authoritarian and fascism-adjacent views and policies go unchallenged.

We saw the mobilisation of this columnist class against in the 2019 General Election. We witnessed it again in the uncritical reporting of the governmentā€™s ā€˜Zero Covidā€™ strategy, accompanied by an effective media blackout on a pandemic that continues to rage on. And we see it repeatedly in a constant amplifying of right-wing, racist and gender-critical views as well as the pushing of a culture war agenda against ā€˜wokenessā€™ and ā€˜cancel cultureā€™.

And it isnā€™t just the media outlets either. Mainstream narratives have been enabled and amplified by internet corporations that play a role in the dissemination of news. Google, Twitter, Facebook, Instagram ā€“ theyā€™re all in it together.

Twitter, for instance, will mark tweets from Press TV as ā€˜Iran state-affiliated mediaā€™, but wonā€™t mark tweets from the BBC as ā€˜UK state-affiliated mediaā€™. This is because while the media in Iran is heavily controlled by the state, the BBC, ostensibly, is impartial.

Yet anyone who follows British politics but disagrees with the Tories will notice the obvious from the BBC and from journalists like and . ā€˜Balancedā€™ reporting is used as a shield to protect the government from both criticism and accountability.

As a Muslim woman and first-generation immigrant from Pakistan, my own journey into journalism has been a challenging one. People like me arenā€™t visible in mainstream British media. And in fact, itā€™s taken a long time for me to be able to call myself a ā€˜journalistā€™.

I have only been able to claim that space within a movement for alternative, independent media in the UK. Smaller, reader-funded media outlets are filling a gap that poor and marginalised communities have felt for decades.  And despite the best efforts of corporations like Google and Twitter, the internet has empowered us to challenge the mainstream narrative and actually hold the powerful to account.

There are, of course, compromises that I could have made to advance my career in journalism, if thatā€™s what I really wanted. I could have taken off my hijab and made my Muslimness less visible. I could have criticised the Muslim community, not for its betterment but to appeal to an Islamophobic audience. Or I could have become a neutral observer instead of a voice thatā€™s critical of the establishment.

That last one in particular, more than my hijab or the colour of my skin, explains why I feel like the doors of mainstream media are closed to me, pretty much for good. Western media, much like academia, claims a position of impartiality and an avoidance of bias.

Perspectives

The reality, however, is that any form of content is situated within a socio-political and ideological context. It originates not from a purportedly neutral position but from the subjectivities of its human creator. It is more honest, therefore, to be open and transparent about your biases rather than pretending that you have none.

I do not believe that racism, inequality or injustice should be reported from a position of neutrality. This is reflected in my work. Being clear about my biases allows the audience the opportunity to judge for themselves the context of my arguments and then decide whether or not they agree.

Meanwhile outlets like the BBC, while claiming to be neutral on i, have already picked a side. Their silence on the British government's support of the Israeli state, and the government's complicity in human rights violations against Palestinians, speaks volumes. This, in turn, makes the BBC's claim of neutrality all the more disingenuous.

It bears mentioning that notions of impartiality and objectivity are colonial constructs which originated in an attempt to create a Western hegemony over the production of knowledge. This hegemony persists today in Western academic institutions as well as mainstream media.

In early social science scholarship, the white manā€™s observations were imposed as objective, free of bias, and therefore universally applicable. And in doing so, these ā€˜objectiveā€™ observations were given a monopoly over truth. At the same time, the views of colonial subjects were dismissed as too subjective and therefore unreliable.

But in the information age, marginalised voices are flipping this narrative. They are seizing opportunities to make their truth heard. And theyā€™re tearing down the notion of impartiality that mainstream media outlets hide behind in order to claim a position of authority.

Much to the dismay of these outlets and the establishment they serve, we can no longer be silenced - and people are paying attention.

Afroze Fatima Zaidi is a writer, editor and journalist. She has a background in academia and writing for online platforms.

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Opinions expressed in this article remain those of the author and do not necessarily represent those of °®Āžµŗ, its editorial board or staff.

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