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While the publication of (Saqi Books, 2024) may seem timely given Israel's genocide against Palestinians in the enclave, a more troubling truth emerges: how little the world knows of Gaza due to mainstream media portrayals and the silencing of Palestinian voices, which clears the way for Israel’s colonial narrative.

In the preface, editors Mahmoud Muna and Matthew Teller write, “At a time of profound anguish, bereavement and loss, we found that Gazans – even those surviving starvation and bombardment inside Gaza – were not only willing to talk, but often desperate to do so.”

By providing a platform for these voices, Daybreak in Gaza includes stories and accounts gathered between March and May of this year, a time when the genocide was already well underway, and the humanitarian pauses proposed by the international community were assisting Israel’s plans to destroy Gaza.

Although the stories in the book are from this year, the book includes an important account from Palestinian poet, novelist, and nutritionist Hiba Abu Nada from the start of the genocide in 2023. “In Gaza, everything changes in an instant,” Hiba writes. “This time there is no pattern. Everything is being bombed.”

Soon after sharing this account, Hiba was killed in an Israeli airstrike on her family home in Khan Younis in October 2023.

From this year, accounts in the book include that of Youmna El Sayed, a Palestinian journalist, who writes, “We are direct targets of the Israeli army.”

Elaborating further on the tactics of the Israeli army, Ibrahim Yaghi shared one account in which one day, the army called his brother to evacuate the house. A cousin answered the phone, and the officer immediately addressed him upon hearing his voice.

“Somehow, the Israeli army knew to call my brother’s phone – and somehow they knew my cousin Hesham would answer. They seem to know everything about us,” Ibrahim writes.��

Ahmed Mortaja wrote about his fear of becoming just a number in the genocide. “I hate answers, and I love questions,” Mortaja writes. “A question two days ago made me stop and think: What’s the difference between escalation and war?”

Speaking on behalf of his five-year-old nephew, Mohammed Aghaalkurdi commented on Israel’s actions, highlighting that what we are witnessing is a genocide specifically targeting children, aimed at wiping out the younger generations of Palestinians in its ongoing ethnic cleansing of Palestine.

“Children like me can’t find any snacks or lollipops. Now do you understand why this is a war against us, not you?” Mohammed writes.

Asmaa Mustafa also addresses the children of Gaza, highlighting the trauma they face during wartime. She warns that Palestinians have “to learn through experience what schools don’t teach and what could never be read in textbooks.”

Asmaa adds, “Here, we find young children specialising in political analysis.”

On a different note, Amani Shaltout speaks about education as the way forward for Gaza and describes her role at the UN Relief and Works Agency for Palestine Refugees (UNRWA), where she trains photographers and helps preserve the agency’s photo archive on Palestine.

Stories beyond genocide

Beyond the discussion of Israel’s genocide, other testimonies in Daybreak in Gaza��reveal what we should have known about Gaza.

The book tells the world how much of Palestine should have been preserved, showing a rich culture that spans centuries and connects to the rest of the world – a culture of inclusion, spontaneity, beauty, and heritage: archaeology, agriculture, landscapes, education, music, and ethnicities.��

Take Gaza’s sea, for example. As the book mentions, while Israel denies safety for Palestinians in Gaza, even from the sea, it was once a place that offered safety for Gazans and a means of escape.

Yousef Alkhouri shares his family’s history against the backdrop of the sea in Gaza and its importance. “Gaza’s sea is not just a natural resource. People think of it as a friend… The sea keeps everything safe.”

Mahmoud Joudeh also speaks about Gaza’s culture and history and how it is remembered throughout the city.

Mahmoud describes how Gaza “is a city that seeks life passionately.”

He also notes, “Gazans don’t want to be called superheroes. Such labels ease the conscience of onlookers and justify their failure to support people in need.”

Ultimately, what Mahmoud wants the world to understand is that by referring to Gazans as superheroes, it speaks of alienation and desensitisation – it speaks of spectators, not engaged communities.

Overall, Daybreak in Gaza shows that the enclave is much more than grey rubble, as the various Palestinian writers have shown.

This book also reveals two important points: first, that the appropriation of the Palestinians’ language of resistance into relatable jargon for the West only serves Israel’s interests, and second, that it presents Palestine through authentic Palestinian narratives, untarnished by the comfortable interpretation of facts.

Palestinians can speak and we have an obligation to provide the space.

Ramona Wadi is an independent researcher, freelance journalist, book reviewer and blogger specialising in the struggle for memory in Chile and Palestine, colonial violence and the manipulation of international law

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